The new leaders expose themselves to criticism. They are open to dialogue. That is a new culture, which is the social media culture. — Marc Gobe


Advertising – A Staged Event?
February 22nd, 2010 by dave
“The genie is out of the bottle,” says Bruce Philp branding guru to ING Direct and co-author of The Orange Code. “Advertising is not branding; it’s just a thing a brand does.” And mostly it’s just showmanship—and the dazzle isn’t enough to cause consumers to become loyal to your brand. 

The big question is: How does advertising fit into your marketing mix? Here, in the first of a series of interviews, Philp digs into the answer:

Brand & Strategy: What do you mean by “disingenuous” advertising?

Bruce Philp: Consumers know that you have chosen to don a costume and mount the stage to try to affect some sort of cognitive event. Advertising is, by its very nature, a contrivance. It’s not our brand’s voice, and everybody knows it.

So how should an organization integrate advertising into its plan?

Advertising has to work authentically within this consensual understanding and respect it. Marketers and advertising people both need to let go of the idea that a purchase decision is an event, and to think of it instead as the end of a process. Then remember what advertising is actually good for in marketing strategy terms.

And what is that?

With so many other ways to influence the consumer’s decision making process, advertising could hardly be said to sell anything–at least not very cost effectively (Snuggies aside). But it’s very good at beginning the dialogue that might lead to a sale (what advertising people rather dryly call “awareness”). Advertising can knock on the door, suggest an emotional promise relevant enough that the consumer might open it, and then be respectful and interesting enough that they’ll leave it open for the next opportunity to influence them.

I think that advertising should be purposed specifically with that in mind.

Any caveats about advertising?

We need to both expect more from advertising, and less: More in the sense that it can and should do better than just amuse people, and less in the sense that it shouldn’t presume to be able to go from zero to closing the sale in 30 seconds (Snuggies, again, aside).

If I were going to knock on your door to sell you a vacuum cleaner, I wouldn’t put on a puppet show in the hope that you’ll like me so much you’ll buy my Electrolux. Nor would I open by throwing the machine at you and screaming that your floors are filthy.

Advertising is a powerful and important tool for marketing. What’s changed in the last few years is that advertising is now a more specialized tool. Keep that in mind, and its inherently disingenuous nature will never be a problem.

Gutsy Branding
April 3rd, 2009 by dave
It’s a bank that claims to not be a bank. 

And it doesn’t siphon off its customers’ money with hidden fees and service charges. Instead, ING DIRECT promises to help you save money—at a great interest rate.

In an industry in which “bank” has become a new four-letter word because of the sector’s general disregard for its customers, ING DIRECT has become a stand-out—even likeable—brand.

In an interview with CZ President Dave Goetz, Bruce Philp, principle of Brand Engineering and chief brand architect of ING Direct, and co-author of The Orange Code, identifies what your brand must do to trump the competition:

Brand & Strategy: You wrote, “… don’t dominate the category, subvert it.” How do you do that? 

Bruce Philp: People tend to use the word subversive when they really mean “iconoclastic,” or even just “unconventional.” My definition of subversive is much more orthodox.

Like it or not, when you position a brand, you have to face the brands against which consumers will compare it. In our case, we were going to be compared to the status quo, which would never be a level playing field for our low-cost business model. If the status quo doesn’t support your business concept, then don’t dodge the comparison—undermine it.

Reframe it and cast doubt on it.

Don’t try to fool people into thinking you’re the “best” something. Be the only alternative to a flawed something.

How did that work with ING DIRECT?

We said the last two things you’d ever expect a bank to say: “We’re not a bank,” and “Save your money.” And we said them with such confidence that consumers couldn’t help but challenge their own assumptions about both.

That’s subversive positioning.

You talk about the dangers of boredom when messaging to your audience. What are some signals that it’s time to rethink your advertising strategy?

I think it’s important not to lose sight of what advertising really is. Too many people in our business tend to unconsciously equate it to branding. But of course they aren’t the same thing, and probably haven’t been since, say, the 1970s. Advertising isn’t a brand, it’s a brand asking a consumer to do something.

When we think about boredom or wear-out, we have to think of it in terms of how we’re asking them—not what, and certainly not in what character.

Do you believe that consumers own your brand?

I don’t, even if they seem to say so in focus groups. I think brands exist by the consumer’s grace, but consumers don’t want to own brands any more than, say, they want to govern themselves by plebiscite. They want to be heard, but they don’t want brands to delegate leadership to them.

Left to their own devices, consumers can figure out what a product needs to do, but they’re not going to inspire themselves.

If you leave branding to consumers, you’ll wind up with low margin, commodity businesses. Great brands are like lighthouses, an illuminating beacon that consumers find in the darkness.

How do brands become this “lighthouse”?

“Gut” is really important. By “gut” I don’t mean an ability to predict how people will react to something. I mean the conviction to pursue your agenda as a brand and trust that, if it’s in the best interest of enough consumers, the marketplace will reward you.

It’s guts more than it is a gut instinct.

Apple is a poster child for this notion. Virtually nothing they do is entrepreneurial. Nor is it the product of permission marketing. Nearly all of what they do is the product of a fierce, singular, take-it-or-leave-it vision. I know that not every business can function like that, but it’s amazing how many of the ones we admire the most do.

What are other traits of this brand gutsiness, especially in a down economy?

The brands that seem to be acting like those lighthouses share the following qualities:

  • They have not abandoned their purpose. By not dropping their principles like hot potatoes at the first sign of pressure, they have proven they’re authentic at the moment when doing so would have the greatest impact.
  • They have reached out to their customers and tried to turn them into a community.
  • They have not exploited the anxiety of the times.
  • They have concentrated on value.
  • They have listened hard to what people are really feeling and put a special effort into being genuinely empathetic.

What is your best positioning advice for senior leaders in universities and other third-sector organizations?

Dare to have a purpose.

In my work with such organizations in the past, I’ve very often seen a stultifying kind of commodity mentality. It’s a product of well-meaning people who believe that they’re betraying their callings if they focus on one constituency or one mission to the exclusion of all others.

The exception to this reluctance is the charitable organization that exists to fight a disease, for example. It’s no coincidence that these are some of the most strongly branded NGOs. They have a singular cause.

By contrast, organizations like industry associations and universities have a pathological fear of taking a stand. They don’t want to leave, as we put it in The Orange Code, “money on the table.” And it’s tragic to see how often they fail, or at least never seem to get anywhere, as a result.

What about those willing to take a stand?

Make a mental list of the most prestigious and superbly branded post-secondary institutions in America. Is there even one brand on that list that isn’t famous for just one or two defining vocations? I bet not.

What makes that a bit mystifying is that when a school decides to promote true excellence in one or two areas and succeeds at it, the entire school becomes more prestigious. Excellence is a reflection of the brand, not the curriculum. Just about any resume is better with Harvard on it—even if it has nothing to do with medicine, law or business.

New Marketing that Works
March 3rd, 2008 by dave

You’d call it absurd: a meatball sundae. Who’d ever combine the two?

Yet marketers do it all the time. They rashly garnish their meatballs—the traditional marketing basics their business is founded on—with fancy and tantalizing New Marketing tactics, such as social media.

CZ president Dave Goetz interviewed marketing guru Seth Godin about “New Marketing” and how organizations should think about and implement it for success.

B&S: How do I convince senior management to invest in New Marketing now for a payoff down the road?

Seth Godin: Well, it’s not easy. They got hired by someone who wanted them to do what they used to do, not to do something new. I’m not so sanguine that most of these organizations will figure out what to do in time. They surely missed the last two revolutions online. That’s why I wrote Meatball Sundae.

There are leaders who feel the transition you describe but also feel paralyzed about where to start. What is the intelligent starting point, aside from throwing lots of money at it?

Throwing money isn’t going to do it, not a chance. What will work is setting up something “across the street.” Get some great people, leave them alone, and challenge them to put you out of business by playing by the new rules. That’ll work.

Any examples of nonprofits that “re-launched” their organization into this new world of New Marketing?

The magic word is “re-launched.” Roomtoread.org and kiva.org and acumenfund.org didn’t re-launch—they launched. It’s the same way that Google isn’t called randomhouse.com and Wikipedia isn’t called britannica.com. I’m not so sure people have the guts to re-launch. I hope they do.

New Marketing is about building permission assets—direct to your community. How do you start building a permission asset today?

I think it’s about making a promise and keeping it. You measure every single day how many people WANT to hear from you. Not put up with it, but look forward to it. Complain when you don’t show up. If you measure that, and innovate around it, you’ll find it.

Social media allows you to engage your community in a real conversation. What are some of the things that kill authentic online conversation?

Social media isn’t about you, it’s about me. The minute you make it about you, I leave.

Which of your trends drives all the others?

The power of the consumer. To ignore you. To talk about you. To interact with you.

Fail Cheap, Fail Often
September 27th, 2006 by dave

In Seth Godin’s new book, Small Is the New Big, he continues his harangue against lousy service, boring products, and quaint notions like “branding.”

Godin is always a fun read. Always provocative. He continues to be a fresh voice in the wilderness of today’s highly cluttered, highly competitive business climate.

CZ recently interviewed him about his new book and about the continual pursuit of “remarkable.”

B&S: In short, according to your book, it seems like the new business climate favors businesses with flexibility, speed, and creativity.

Seth Godin: I make the point that acting ‘small’, being responsive, treating people with respect, acting like your name is on the door—those are the traits that the market demands now.

When developing a new product or service or even creating a new marketing initiative, how do you know when to make adjustments?

Godin: I think the opportunity to let the market decide is greater than ever before. You can get in front of consumers faster and cheaper than ever before if you’re just willing to fail now and then.

So fail cheap. And often.

You don’t like “branding,” per se. What ultimately is your beef with branding?

Godin: Brand is an unmeasurable generality. It’s a shorthand, used by consumers as a placeholder for a varied array of beliefs. Instead of trying to manipulate that, I’m pushing people into measuring, into launching and watching, into doing, not guessing.

There is so much marketing clutter today that even ostensibly fresh ideas seem to lose out. Will even permission marketing go the way of the TV industrial complex?

Godin: Permission marketing can’t go away—human beings will always want to hear from friends (not strangers) who have solutions to their problems!